A Texas Multi-Instrumentalist Runs Ten Songs From Seaside Folk to a Closing Title Track Track four is the one to start with. David Moore...
americana
“Hambone” is the track that gives the game away. It is fully revved up and still stripped down, which is a difficult combination to...
A Kentucky Piano Band, a Bluegrass Grammy Winner and a Golf Legend on One Track Track eight on Mountain runs five minutes thirty-one, which...
A Swedish Georgian Songwriter, a Los Angeles Rhythm Section, and One Slide Guitar Echoes opens on an acoustic guitar and a voice, which is...
A Touring Bass Player Since 2002, Now Recording Under His Own Name No Big Deal runs three minutes and thirty-nine seconds, and the credit...
Writers working through personal upheaval often go inward and narrow. Going outward to history instead is a harder and less common move.
Rhiannon Giddens has spent twenty years arguing that American music was made by people from everywhere. Her new album is that argument assembled as...

Yesterday, Today and Tomorrow by David Moore and Westridge: The Long Version
Pokey LaFarge Built Rent Money Around the Almighty Dollar
Where Tyrant Came From on the Andrew Moore and Hooch Album Mountain
Sabina Chantouria Sent Echoes to Ventura and Let American Session Players Carry It
Daniel Grimsland Went From Woodstock Prog to the Blues Rock of No Big Deal
Miko Marks Opens Hell Or High Water at the Little Bighorn
Rhiannon Giddens Built a Band From Louisiana, the Congo and Italy
Maybe Magic by Ryan Sweezey and a Decade of Unfinished Songs: The Long Version
Where Deep Blue Sea Came From: Kadi Beth and a Mayday Call Over Dark Water
Backyard Getaway by Emily Fraser, a Pop-Country Escape: The Long Version
Why New Orleans Blues Rock Survived the Move to Switzerland on Rising by Jeb Rault